Schippilli
Enamel on iron
3 in 1
Sterling Silver, Emerald stones, Ocean Jaspis
This collection emerged in the moment of making—an idea that revealed itself through the process. As the name suggests, the necklace is formed from three bracelets, separate elements that come together as one.
The pendant becomes both centerpiece and mechanism—a clasp that opens and closes, inviting interaction and transformation.
Throughout this work, I explored new techniques, allowing the material to guide me. Chains take shape, shift into earrings, and connect through small constructed forms. Each step became part of an expanding understanding of metalsmithing, where function and form meet in quiet balance.
This is not a vase (anymore)
raised in copper
What began as an unintentional crack in a cast mini vase has transformed into an entire series of cracked vases, each carrying its own unique history. The crack has become an exceptional attribute, one that pays tribute to antique cultures and their craftsmanship.
This concept led me, in my second year, to explore both jewelry and life-sized vases, preserving the antique touch while also giving them new meaning. A vase is traditionally an object meant to hold and preserve something—a vessel with a specific purpose. By intentionally cracking these vases, I strip them of their function, allowing them to transform into something new. These pieces no longer serve a practical purpose but instead become aesthetic objects in their own way, each carrying a story and a past.
Now, in my third year, I returned function to the object—but in a new way—by transforming it into a lamp. I gave it new meaning and let it shine from a new perspective. The light comes from within, shining through the cracks and revealing its inner beauty. What was once broken becomes a source of illumination. The fractures no longer signify a loss of purpose, but transformation—highlighting how something damaged can take on new meaning and value.
Over time, these vases have become an identifying feature of my metalwork practice, accompanying me throughout my years in Leksand.
The surface pattern of the lamp combines influences from the kurbits tradition of Dalarna and porcelain designs by Villeroy & Boch from Luxembourg. This fusion reflects my personal journey.
On one hand, it is a tribute to my homeland, Luxembourg. It is the place that shaped who I am today, with all its complexities—both positive and challenging. While I chose to leave Luxembourg for lifestyle reasons, I still carry pride for my country and deep respect for my ancestors.
On the other hand, it honors Leksand—the place that changed my life. It was the first town in Sweden that felt like home. It is where I grew the most, formed hopefully lifelong friendships, and fell in love with Swedish culture and craftsmanship. No matter where life takes me, Leksand will always be a part of me.